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Spectacle, spectatoriel, spectateur : l’acte de voir et l’expérience du regard créateur

Abstract : This thesis aims to name the spectating (which has no name in french) and provide a method based on that ability to analyze performance. This implies to rethink the way French researchers has thought for a long time that this ability was reception, and redefine what reception is and what the spectator’s experience is, but also what is a performance, and moreover what is it to spectate and what is it be a spectator in light of this atomization the very act of spectating. It will be shown in what ways a spectator either spectate or create by his creative look upon a theatrical performance, during or after that performance. The major points that has been situated in the space between a theatrical performance and a spectator, and in the time between a theatrical performance and the afterwards. This thesis will look at a much more complicated viewer experience than just looking, based on works of Henri Gouhier, Jacques Rancière, Bernard Dort, Anne Ubersfeld, and contemporary live performances, and will look at the viewer’s experience, at the theatrical relationship established by means of seeing and also at the instantaneous act of seeing.
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Submitted on : Friday, October 8, 2021 - 11:44:31 AM
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Jean-Baptiste Richard. Spectacle, spectatoriel, spectateur : l’acte de voir et l’expérience du regard créateur. Sciences de l'Homme et Société. Université Polytechnique Hauts-de-France, 2019. Français. ⟨NNT : 2019UPHF0014⟩. ⟨tel-03370909⟩



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