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Filmer le théâtre : problématique de la fidélité d'un document audiovisuel élaboré à partir d'un spectacle vivant

Abstract : With the present multiplication and democratization of technology comes a heightened demand for content and programs, such as filming a live show in a convincing and faithful way has become a major issue in recreative theatrical memory. Yet, today, this need is met with unsatisfactory answers for various reasons. One stumbling block, among others, is the difficulty of transposing the environment of a particular media to another. This can only be resolved by quest into new forms of contextualised film writings. These elements must imperatively take into consideration the particularities of the biological co-presence of two groups of humans. Contrary to current solutions (capture or re-creation), we propose here a novel alternative to documentary multicaptation based on a framework of multiple and various public recordings that allows the assembling of the best moments of every day into a virtual super-performance.
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https://hal-uphf.archives-ouvertes.fr/tel-03424002
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Submitted on : Wednesday, November 10, 2021 - 11:43:09 AM
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  • HAL Id : tel-03424002, version 1

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Pascal Bouchez. Filmer le théâtre : problématique de la fidélité d'un document audiovisuel élaboré à partir d'un spectacle vivant. Sciences de l'information et de la communication. Université de Valenciennes et du Hainaut-Cambrésis, 2004. Français. ⟨NNT : 2004VALE0025⟩. ⟨tel-03424002⟩

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